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Winter in Melbourne…..

Quick post tonight, we recently shot a series of stock pictures in and around Melbourne, some of those images revolved around commuting. It was cold and often wet while we shot but hey that’s Melbourne in winter. This editorial image was shot with a young model, Stephanie, while she waited for a train.

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Good flows in the Murray River.

Its been a long time since we have had anything like a high river here at beautiful downtown Yelta. Anyone who knows where Yelta is will get the joke. Yelta is a small rural district downstream of Mildura, consisting of a couple dozen farms, although I’m reliably inform there are two Yelta”s Upper Yelta and  Lower Yelta where our studio is located.

Anyway back to the good news the Murray River is running well at the moment, probably around ten years since we had a good flush like this, with more to come. Lower Murray Water are predicting futher increases to the flow over the next few days which could  see another 25 – 30% increase in river flows. good news, but probably won’t be enough of a flush to spread into some of the swamp country and help our drought affected Red Gum forests.

Above the Murray River during a more peaceful time. Not that the Murray at high flow rates is very violent or turbulent, big rivers rarely are angry rivers, especially here in Australia.

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excitations stock site having a few problems

Over the last 24 hours there have been a few problems with our server. The archive has kept functioning, but server hosting excitations-stock.com has been playing up. Temporary redirect is in place which goes straight to http://excitations.photoshelter.com the archive server. Looks a bit different but working fine.

I’d like to remind you that you can also access the archive through http://stockphotosaustrallia.com and http://thenakedlandscape.com

Here’s a quick slide show of some of the low altitude aerial stock photos we shot at Lake Eyre recently.


Aerial photos of Lake Eyre, largest salt lake, Australia. – Images by Ian Mckenzie

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Canon 1D IV up against Nikon D3s

Before you get all excited and prepare yourself for an in depth report of both cameras, let me tell you a couple of things. I’m a working photographer. My day to day shooting kit is basically Canon, with a 1Ds III as my main camera. Been using Canon for a long while so yes this will be somewhat biased. Secondly, I tried these two pieces of kit out because I intend to by some new gear shortly and wanted a hands on with the best both camps have to offer at this point in time.

I didn’t organize to shoot side by side tests, yeah I know you’re disappointed but I’m not a bench test optical chart kind of photographer. Instead I took both cameras out on separate jobs. Jobs that I knew would push my current gear to the limits and maybe beyond. After all there is not a lot of sense in buying new kit that is only up to the standards of your current gear. For me lately a lot of my shooting has been available light work. Or should I rephrase that and say not a lot of available light.

So I use my Canon 1Ds III at ISO 1600 regularly but for all practical purposes that’s the cameras upper limit, 3200 ISO is a way out there in La La land, for the stuff I mostly shoot. Being a Canon guy, I’d heard a lot about the Nikon and its low light prowess, and a quick look at its on paper specs told me that I should expect it to preform well. Logic said it would outperform the Canon. I mean 12 million pixels on a bigger sensor has to give the Nikon an edge. So in an attempt to be totally fair, I took the Nikon on the harder of the two challenges. As it turned out much harder. But hey… if this camera is as good as the Nikon people would have us believe, a bit of handicapping isn’t that unfair…. right.

So to test the D3s we headed down one of Melbourne’s graffiti covered lanes, way after sunset, fitted a new 24mm f1.4 Nikkor and started to wind up our ISO. Had a lot of fun with our beautiful young lady models posing with the graffiti artworks. All the time making our way deeper into the ally looking for more darkness. Finally ending up in a place where I was happy. Our Male model arrived about this time, which turned out to be perfect. My idea was to shoot a series of portraits lit entirely by the light of a cigarette lighter. Just to make things harder for the D3s I decided to leave exposure set to aperture priority and left everything to the camera. Normally I would have metered manually and set the exposure to manual.

Available light stock photograph of smaker in laneway, Melbourne, Victoria, Australia. All rights reserved.

D3s f1.4 24mm Nikkor lens, ISO 6400. Main light from lighter, background lit by a street lamp 100 metres away.

I was a bit surprised at how well auto exposure worked on the D3s. A flickering light from a cigarette lighter isn’t exactly the most constant of  light sources but the Nikon D3s hung on all the way and kept nailing  exposures, frame after frame. Holding focus most of the time as well which was a bit of a surprise also. I chickened out at 6400 iso, but playing later, now realize that I could have gone up to 12000 iso. Prints made from the series above showed good shadow detail and held their highlights well. Print quality on 10 x 15″ prints was, to be honest amazing…. way better than I would have ever thought possible.

For our Canon test we headed to another laneway in Mebourne’s CBD, accompanied by two beautiful young women as our models. Available light in this location was fully 3 stops better than the location used for our Nikon shoot, however we had to contend with very light rain which created a lot of extra reflections  off the roadway. I offer this as  partial excuse for some focus problems that we were to encounter. For the duration of our shoot, the Canon 1D IV had difficulty in holding focus in what was admittedly low light conditions. I had expected this camera to handle focus considerably better than it did. Certainly in normal daylight it functioned really well but in low light the Canon 1D IV struggled in the focus department. My only wish now is that I’d tried the 1D IV under to same conditions as we shot with the Nikon. I’m wondering whether it would have been able to preform at all.

Canon have paid the price for packing more pixels onto a smaller sensor as well. Although image quality is good under low light conditions, it isn’t a D3s if you know what I mean. Which for me is a problem, because I’m a Canon guy.

Beautiful young model photogreaphed by available ligh in a laneway in Melbourne CBD. All rights reserved.

1D IV with 70-200 f 2.8 1600 iso , fill flash from a small softbox. Lots of reflection from road, and a few focus issues.

So after shooting with both cameras under a variety of conditions, what do I think? Well if I was shooting video with my DSLR I’d be really happy with the Canon 1D IV, in fact if most of my still shooting was in good light, I would have no issue with adding yet another Canon pro series body to my growing collection of cameras. I was a little surprised at the 1D IV’s reluctance to focus well in low light, but I could easily just switch to  manual focus as most often I don’t shoot fast moving stuff.

We’re nit picking really because to be honest both of these picture making machines are fabulous pieces of kit. I’m frankly a little disappointed that the Nikon D3s is so very good. Even more so when I see the files coming from the new f1.4 24mm Nikkor lens. I hadn’t ever expected this Nikon gear to be so sweet to use. Another point I’d like to make is that as a Canon shooter I would never have expected the Nikon D3s to feel so good in my hand or for it to have such a logical menu and interface.

This brings me now to file sizes, and while to many people, 12 million little light receptors in the Nikon D3s may be just to few for comfort, I’m pretty comfortable with that size for most of my shooting. Will I change camps…. I honestly don’t know. If money wasn’t an issue the answer would likely be yes. So maybe I’ll stick with my current kit or maybe I’ll switch to the D3s as my main camera, and look at a medium format solution for those times when I need big files and loads of resolution.

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Photographing health and fitness images on a beach during Melbourne’s winter.

Just about says it all really doesn’t it? Anyone who has spent time in Melbourne during winter will know what I mean. What photographer in his right mind would attempt such a thing. ME.

Turned out to be be a good shoot really, despite the chilly winds sweeping in off Port Phillip Bay and only a brief period of light that was anywhere near decent. We amused a few of the locals with our attempts to get the right angle. This shot created while  I lay on the wet sand looking up with a 16-35mm lens on a Canon 1Ds III wracked out to 16mm. We progressed on from there to having our model Bianca, jump over me as she ran along the beach. Again shot low and wide into the setting sun. We ended up with a nice series of images before heading off to the St Kilda Jetty to shoot some more fitness stuff as darkness descended over Port Phillip Bay.

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Getting ready to shoot some WET stuff on location in Melbourne.

Last outback/bush picture in this post today for a while.  That is of course as long as I get to shoot some stuff to share with you  while in the big smoke next week. Weather man says we’re gonna freeze our butts off and get wet at the same time…. Oh goodie.

Doesn’t matter, photographing in the rain is sometimes a lot of fun and you always get something a little different. Any ways next weeks shoot is about trying new things and training my eye and my teams reaction to location photography. What could go wrong…. really? I mean, electronic cameras, models, flashes combined with  wind and rain. Walk in the park.

This aerial stock photo of an eroded gully in amongst sand dunes was taken from relatively low altitude just after sunrise. Early morning sunlight from a very acute angle helps bring out contour detail in an otherwise  flat, arid and often featureless  landscape. Interestingly, it was hard to tell which images where taken from low altitude and which from over 7000 ft, without familiar objects to give a sense of scale. Being a dry desert region, early in the morning, there was very little haze to speak of, making the job of picking high from low even more difficult. Meta data helped, low was shot with 16mm and high with 200mm.

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Time just keeps on flying by….

I’ve just heard that the smallest of the ankle biters next door turns 18 years old today. Seems like only yesterday that she was knee high to a very small grass hopper. Happy birthday Jackie.

We arrive on this planet, touch a few peoples hearts and then in a blink of an eye we’ve all but vanished . Kinda like the foot prints on the sand dune in this stock image, here for but an instant and then gone.

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Note to our two political leaders…

SHOW US YOUR POLICIES AND PUSH OFF. I don’t know about you guys but I’ve had a gut full of seeing two pollies sniping at each other about absolutely nothing day in day out. Please guys just show us you policies, in detail, in writing and then disappear until 22nd August.

I really don’t give a rat”s ….. if Ms Gillard buys cheese cake from a shop and takes it to a radio station, nor do I care if she gets real and rides on a media bus. I don’t want to see Mr Abbott riding a bike or making another stuff up while addressing the media. All I want is the policy detail, then I’ll make up my mind based on that not on the number of times I see you kissing babies or whatever other silly stunt your PR people dream up.

Waves rolling into shore late evening. (Ian Mckenzie/Excitations)

Absolutely nothing to do with politics, unless you remember back to last election and remember how important saving our environment was. Seems to me that it couldn’t have been all that important, apart from a much publicized trip overseas for a whole bunch of our new Ministers, for a ceremonial signing of a document that isn’t worth a pinch of hot cocky poo. Nothing happened. But things could have been worse we could have had the Howard government returned, because they didn’t believe the environment needed saving in the first place….. Oh hang on….. that means neither side actually intended to do anything.

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RIP Rights Managed Stock Photography,

Rumours abound about the big stock photography libraries considering ditching Rights Managed Stock. Apparently it is to expensive to have people involved in the licensing of stock photography. The idea of checking an image to ensure that it hasn’t been used for a specific purpose in a specific geographic region is becoming all to much for the big guys. To be fair, they also have to contend with photographers who are not always totally honest about prior use of an image. So we’re told that Rights Manage stock is to go.

It seems that the only place you’ll be able to buy Rights Managed is smaller photographer run stock archives, like excitations stock. Sorry couldn’t help getting a plug in. While on that note, we are hoping to add a list of such libraries to our list of Stock Libraries found at the bottom of the side bar on the right hand side of each page of this blog. The first library to be listed Halse Images check them out.

Spit of land jutting out into the saline waters of Lake Eyre South. (Ian Mckenzie/excitations stock)

Another low level aerial photo of Lake Eyre, showing the distinct pink saline water in the southern parts of Lake Eyre at the moment.

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Are you looking for background images suitable for compositing?

I was earlier this morning. I needed a natural texture to blend with a composite that we are in the process of creating for a client. A quick search of our  natural backgrounds gallery in  excitations stock photography archive and I had the shot I wanted.

Without sounding like we’re blowing our own trumpet here, I can tell you that there are a many natural texture and pattern stock images  in our archive that make suitable  backgrounds for all sorts of design projects.

Close up, rock surface (I Mckenzie/Excitations)

The above image of a slab of rock is a royalty free image, but there are also rights managed background stock pictures available. Adding a file to your shopping cart will let you know if the image is royalty free or rights managed. You can check out a gallery of background images here.

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